Video Marketing

3D Animation in Business: 28 Videos by the Case They Make

Introduction

3D animation makes the case a camera can't film

Most of what a B2B company sells can't be filmed. A sensor inside a chip. A rebate rule inside a contract. A city policy that hasn't happened yet.

So the buyer gets a datasheet and a promise. Then the deal waits for a meeting where somebody draws the product on a whiteboard.

3D animation in business replaces that whiteboard. The camera goes where no camera can, and the buyer sees the case for themselves. But one video can't make every case at once.

The short answer: the 3D business animations that work make one case per video. Magnifier shows how it works by taking the camera inside. Piggy Bank shows what it earns or saves. Life Jacket shows the failure it prevents. Puzzle Piece shows it fits the buyer's setup. The 28 videos below are sorted by the case they make. For the camera side of the same craft, see these 3D animation video examples sorted by zoom level.

Planning a 3D animation?

Talk to the Advids team about style, budget and timeline before anything gets modeled. Start with the one case your video has to make.

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28 examples

3D Animation in Business examples

Case 1 · Magnifier

If your buyer can't picture how it works, take the camera inside.

A watch with a glass back sells the movement, not the strap. Buyers trust what they can watch tick. Your product's engine is that movement, hidden behind a login screen or a metal case.

I call it the Magnifier: one shot that goes inside the part nobody can see, and stays there until the principle is clear. Six examples.

Bosch MEMS accelerometer animation

Bosch Sensortec explains how its acceleration sensor works. The film starts where the sensor lives, then zooms into the chip.

What works here:

  • Context comes first. The sensor's uses, from car safety to wearables, appear before any close-up.
  • Then the layers peel back to the micromechanical comb structure inside.
  • Tiny movements in the comb become measurable voltage signals. The principle is shown, not described.

The move: Start where your buyer meets the product, then zoom into the one part that makes it work. If the zoom has no starting point, viewers lose the scale.

Malvern Panalytical NanoSight Pro animation

Malvern Panalytical explains Nanoparticle Tracking Analysis for the NanoSight Pro. The promise is quick, easy size and concentration data for bio-nanoparticles.

What works here:

  • The signature shot is glowing nanoparticles tracked by animated lines, with the on-screen line “Incredible Tracking Precision.”
  • Short claims like “Quickest, Easiest” land on screen in sync with the visuals.
  • The instrument opens up. Its internal mechanisms, the sample interaction and the data capture are all rendered.

The move: Pick the one shot that is your claim. If you can't point to the frame that proves “precise,” cut the word.

Malvern Panalytical Aeris 3D animation

Aeris is a compact X-ray diffraction instrument. The film moves from the hunt for clean diffraction data to the machine that gets it.

What works here:

  • Internal views show the precise optical configuration, the part a lab buyer can't inspect in a showroom.
  • The compact footprint is the headline, backed by automated loading and a modular, upgradable design.
  • Three workflows close it: Research, Regulate, Automate.

The move: After the inside shot, name your buyer's workflows on screen. Three words they use at work beat a paragraph of features.

Bergerat Monnoyeur GEH2 hydrogen animation

Bergerat Monnoyeur's Romanian-language film follows green hydrogen from water to power. Then it puts the GEH2 generator to work.

What works here:

  • Molecular animation shows water splitting into hydrogen and oxygen.
  • Cutaways open the electrolyzer and the fuel cell, so the generation process reads in seconds.
  • Then the places: off-grid sites, port zones, data center backup and events, all with zero emissions and low noise.

The move: Follow the inside shot with 3 places your product runs. The inside view explains. The places sell.

BD Venclose procedure animation

BD's film explains chronic venous disease before it shows the Venclose RF ablation catheter. It runs longer than most 3D medical demo videos, and each chapter earns its time.

What works here:

  • The disease is staged, C1 to C6, with visuals that change from spider veins to painful ulcers.
  • Then the catheter goes in. Thermal ablation shrinks and closes the vein, and blood reroutes to healthier paths.
  • It ends on the patient back to well-being, and a prompt to consult a vein specialist.

The move: If your film runs long, make each chapter answer the question the last one raised. If a chapter answers nothing new, cut it.

AiDot air purifier 3D animation

AiDot's film shows indoor air pollution first, then opens the purifier in an exploded view.

What works here:

  • Three filter stages separate on screen: pre-filter, H13 True HEPA and activated carbon.
  • Each layer is matched to what it catches, from pet hair to odors.
  • Then the home: work, yoga and rest, with a real-time PM2.5 monitor, child lock and night light.

The move: Match each internal layer to one problem it removes. For software, that's each layer of your stack and the risk it takes away.

Case 2 · Piggy Bank

If someone has to defend the spend, put the money on screen.

Understanding it isn't enough. Next comes the question from finance: what does it earn?

A clear piggy bank lets you watch the coins pile up. Your buyer's CFO wants the same view of your product. I call it the Piggy Bank: the gain shown as a chart, a step removed or a cost cut. Six examples.

Eriez HydroFloat 3D animation

Eriez sells HydroFloat coarse particle flotation to mining operations. The pitch: it can make previously unfeasible projects viable.

What works here:

  • A cutaway shows the patented fluidized bed, where bubbles attach to coarse particles and a custom manifold recovers them.
  • The benefits are business terms: more water recovery, less energy, more processing capacity and higher global recovery.
  • A comparative recovery graph carries the proof, including a shift in the economic optimum grind size.

The move: Put the before and after on one graph. If a buyer can't screenshot the gain for their budget meeting, it isn't on screen yet.

VoltaChem Power-2-Chemicals animation

VoltaChem shows chemical plants running on renewable electricity and CO2. The film ends its argument on economics, not ecology.

What works here:

  • Wind and solar power feed electrochemical reactors and hydrogen electrolyzers inside existing facilities.
  • CO2 and heat become plastics, pharmaceuticals, fertilizers and transport fuels.
  • A bar chart shows reduced investment and increased profit.

The move: Let the mission open the door, then close on the money chart. If your last frame has no number, finance will ask for one.

PerkinElmer cheese processing animation

PerkinElmer follows cheese production from milk intake to packaging, with an instrument at each step.

What works here:

  • A cheese block breaks apart into its components, such as fat and casein.
  • The LactoScope FT-A screens incoming milk. The DA7250 Benchtop NIR and DA7440 NIR check the curd and the final product.
  • The benefit is framed three ways: saving money, increasing yield and protecting quality.

The move: Map your product to every step of the buyer's process, then name the money at each step.

Enable rebate management software animation

Enable sells rebate management software. A Rube Goldberg machine stands in for B2B deal terms, then turns into a clean view of the platform.

What works here:

  • The machine makes the mess visible. Every lever and ramp is a deal parameter.
  • A digital approval workflow joins purchasing, accounting, sales and operations with outside trading partners.
  • Rebate accruals and payments become visible, and a rocket launch closes on profitable growth.

The move: Build the old way as a 3D machine, then hand over to your real interface. If the machine and the product look alike, the contrast is lost.

Beyon3D robotic construction animation

Beyon3D brings factory-grade robotic precision to construction. The film runs from digital blueprint to finished building part.

What works here:

  • A 6-axis robotic arm does both subtractive and additive fabrication.
  • 2D and 3D model files turn into robot-ready tasks automatically, with no manual coding.
  • The payoff is for developers and contractors: complex architecture, faster and at a lower cost.

The move: Name the step your product removes, like “no manual coding,” then show the cost that leaves with it.

MEDHOST EHR 3D animation

MEDHOST casts hospital staff as superheroes and its EHR as their supporting character. The money line comes after the story.

What works here:

  • The metaphor puts the buyer's team at the center, not the software.
  • Letters morph into connected hospital buildings, showing one integrated platform across facilities.
  • Paper-laden workflows give way to digital ones, and clinical, financial and consumer engagement tools close on a “healthy ROI.”

The move: Make your buyer's team the hero and your product the sidekick. Then say what the sidekick returns, in one line.

Case 3 · Life Jacket

If your buyer fears what could go wrong, show the failure you prevent.

Some buyers don't buy gains. They buy fewer bad days.

Nobody shops for a life jacket on a calm lake. Your security, compliance or ops buyer is the same: they buy after picturing the storm. I call it the Life Jacket: the failure on screen, then the moment your product stops it. Seven examples.

Gemalto Drone Connect 3D animation

Gemalto's Drone Connect argues that commercial drones need trusted identity, connectivity and data. Each layer gets its own scene.

What works here:

  • Identity first. Facial recognition and liveness detection verify the pilot, and digital certificates link each drone to its operator.
  • Embedded IoT modules and eSIMs keep connectivity encrypted, in cities and in remote areas.
  • Remote ID and flight data are digitally signed, and flight data is encrypted and stored in Thales's cloud for Unmanned Traffic Management.

The move: Split your security story into layers: who, the connection and the data. One scene each. If two layers share a scene, neither is clear.

Boston Scientific REDEFINE Trial animation

Boston Scientific presents REDEFINE Trial results on radiation in the cath lab, for the ControlRad Select system. To be clear, this one is mostly 2D motion graphics, with 3D for the C-arm and radiation fields.

What works here:

  • Radiation is framed as a “real threat” before the system appears.
  • Bar graphs break the reduction down by role: primary operators (up to 71%), secondary operators, circulating nurses and patients.
  • Red marks high exposure. Green marks reduced exposure.

The move: Break your risk reduction down by role. Each person in the room should find their own number.

Ricardo PanMon 3D animation

Ricardo's PanMon monitors train pantographs. The film shows what visual inspection misses before it shows the scan.

What works here:

  • Isometric 3D explains how a pantograph works and why damage is hard to spot by eye.
  • The automated scan detects cracks, arc burns and contact strip wear.
  • A dashboard shows real-time condition, wear patterns and predicted lifespan, to prevent costly derailments.

The move: Show what your buyer's current check misses. Then show yours catching it.

Atlas Copco GA VSDs compressor animation

Atlas Copco's Hungarian film for the GA VSDs compressor is about one feature: Boost Flow Mode, which holds air pressure when demand peaks.

What works here:

  • Gauges for air demand and pressure sit over the machine, so the problem reads as data.
  • When demand passes normal capacity, Boost Flow Mode kicks in and pressure recovers.
  • Internal components move on screen, and the close is three words: “Smart, Solid, Strong.”

The move: Pick one feature and one failure, like a production stop. Show the gauge drop, then the save.

Milliken OBEX entrance flooring animation

Milliken shows how OBEX entrance flooring keeps debris and moisture out of a building. The buyer is the architect or specifier.

What works here:

  • The entry splits into three color-coded zones: outdoor covered, vestibule and interior lobby.
  • Each zone traps debris and moisture before it reaches the floor inside.
  • The design stays intact, with a range of forms and materials for the specifier.

The move: Split your protection into zones your buyer can map onto their own setup. For SaaS, that's the stages of their workflow.

Würth Elektronik WE-AGDT 3D animation

Würth Elektronik pitches the WE-AGDT transformer for SiC gate driver designs. The film answers an engineer's safety checklist on screen.

What works here:

  • Interwinding capacitance down to 6.8 pF supports Common Mode Transient Immunity above 100 kV/µs.
  • It's compact: 3.78 cm² and 3.5 g, with up to 6 W of auxiliary power across 9 to 36 V.
  • Creepage and clearance distances are shown, alongside IEC62368-1 and IEC61558-2-16.

The move: Name the standard your buyer has to meet, on screen. A named standard is a checkbox ticked. “Safe” is a claim.

Fujitsu social digital twin animation

Fujitsu's social digital twin is a digital sandbox where cities test a policy before acting on it. The failure prevented is the one that never happens.

What works here:

  • Policies are tested digitally first, so conflicts like CO2 impact or transport bottlenecks show up before rollout.
  • Color-coded data flows join road use, public transport schedules, sporting events and economic goals.
  • Real sensor data meets human and social behavior models, to “join up all the dots.”

The move: If your product reduces risk by simulating, show the mistake that didn't happen. Then show the decision it changed.

Case 4 · Puzzle Piece

If they ask whether it fits their setup, show the edges.

The last doubt is practical. Will this work with what we already run?

A puzzle piece is judged by its edges, not its picture. Your buyer judges your product by the ports, plans and integrations around it. I call it the Puzzle Piece: the options and connections on screen, by name. Nine examples.

Invacare Küschall K-Series animation

Invacare's Portuguese film for the Küschall K-Series 2.0 wheelchair is about one thing: fit to the person.

What works here:

  • Engineering comes first: hydroforming for rigidity, a modular seat and a center of gravity with 5 horizontal settings.
  • Then the options change live: 5 chassis colors, 2 decal styles and 6 decal colors.
  • A dark studio, photoreal surfaces and smooth camera moves keep the focus on the product.

The move: Show your options as live changes, not a list. For SaaS, flip the settings or plans on screen and let the product change with them.

Panduit wire caps 3D animation

Panduit shows how its angled wire caps route cable in tight spaces, like data centers and modular office furniture.

What works here:

  • A side-by-side comparison shows a 55% bend radius reduction.
  • Compatibility is named: TX6A, TX6 Plus and TX5E Mini-Com UTP jacks, in wall outlets and raceways, for Cat 6A cable.
  • Termination with the TGSJT tool is shown step by step.

The move: Name every part your product works with, on screen. A buyer scanning for their own model number is a buyer checking fit.

Cubic Vocality RoIP animation

Cubic's Vocality RoIP gateway connects different radios across different networks. The film draws every connection.

What works here:

  • Inside, the redesigned hardware shows an x86 CPU, 4G LTE and modular components.
  • Radio types connect across fixed line, LTE, satellite and Wi-Fi, for first responders, energy and military users.
  • Links switch automatically when one drops, and voice call data falls by up to 65%.

The move: Draw every network your buyer already runs, then plug your product in. The fit is the picture.

Epson SureColor F1000 animation

Epson's SureColor F1000 Series combines direct-to-garment and direct-to-film printing in one compact system.

What works here:

  • White ink on dark garments and film transfer are both shown, so the dual use is proven.
  • Auto-height adjustment and front loading show how it fits a small team's routine.
  • It's placed in retail and studio settings, with Epson Cloud Solution PORT for remote monitoring.

The move: Put the product in 2 or 3 real rooms your buyers work in. They'll look for their own.

BenQ eye care monitor animation

BenQ's film for the GW2790QT and GW3290QT starts in a Zen garden, then turns a cluttered desk into a clean one.

What works here:

  • One USB-C cable carries data and power and connects the peripherals, shown as glowing data flows.
  • A built-in microphone and brightness that adapts to the room cover video calls and long days.
  • The setting does the positioning: calm, simple, uncluttered.

The move: Count the cables, tabs or tools your product removes, and remove them on screen.

Ottawa Logistics 3D animation

Ottawa Logistics introduces its end-to-end fulfillment service. A Rubik's Cube stands for the logic behind it.

What works here:

  • Isometric animation runs through warehousing, packing and shipping, with barcode systems and real-time tracking screens.
  • API connections to stores like Shopify and Amazon answer the e-commerce buyer's first question.
  • Flowcharts map the full supply chain, for e-commerce and MLM businesses.

The move: Name the platforms your buyer already sells or works on. A logo they use is proof of fit.

ULA Vulcan mission animation

United Launch Alliance flies Vulcan's USSF-87 mission profile, from liftoff to fairing jettison. Every phase is narrated in order.

What works here:

  • The configuration is the pitch. Vulcan can carry 2, 4 or 6 solid rocket boosters, “precisely configured to take any mission to space.”
  • Numbers stay tied to events: nearly 3 million pounds of thrust at liftoff, and about 460,000 lb per booster.
  • After separation, the rocket weighs less than 10% of what it did at liftoff.

The move: If your product comes in configurations, show the dial and what each setting buys. Then show one mission run from start to finish.

Medtronic Space-D animation

Medtronic's Space-D is one system that works as a distractor, a compressor and a retractor in minimally invasive spine surgery.

What works here:

  • Assembly is one step. Sleeves attach, and a quick-release button takes them off.
  • Glowing highlights and synced on-screen text explain one feature at a time, like the lateral button and the telescoping retraction blade.
  • Metal surfaces and a sturdy rack system are rendered in detail, so the build quality is visible.

The move: If your product replaces 3 tools, name all 3 in the first line. Then show the one-step setup.

Bankwest Halo payment ring animation

Bankwest's 31-second spot introduces Halo, a payment ring. It's the shortest video here, and it sells one idea: ease and convenience.

The move: If your fit story is “it goes where you already are,” one short spot can carry it. Cut everything else.

Pick your case

Which case does your 3D animation make?

The short answer: ask what your buyer still can't picture: how it works, what it earns, what it prevents or whether it fits. The answer picks the case. One case per video. If two are loud, make two short videos instead of one long one.

If your buyer asksUseDo thisExample to copy
“How does it actually work?”MagnifierOne shot inside the part nobody can seeBosch
“What does it earn us?”Piggy BankThe gain as a chart, a step removed or a cost cutVoltaChem
“What if something goes wrong?”Life JacketThe failure first, then the moment you stop itPanMon
“Will it fit our setup?”Puzzle PieceOptions and connections on screen, by namePanduit

Now go back to the whiteboard meeting. Somebody draws the inside of the product, or the savings, or the failure, or the plug. That drawing is the case. A 3D animation sends it before the meeting.

The move: list the last 5 questions buyers asked before they signed. Sort them into the 4 cases. Make your next 3D animation about the most common one.

A render shows what you built. A case shows why they should pay for it.

FAQ

3D Animation in Business FAQ

What is 3D animation in business?
3D animation in business is computer-generated video that shows a product, process or system a camera can't film, so a buyer can judge it. The best ones make one case: how it works, what it earns, what it prevents or whether it fits. Bosch's film, for example, goes inside an accelerometer.
Why use 3D animation instead of filming the product?
Because the camera can't go where the case is: inside a sealed sensor, a vein or a city model. Animation also controls every frame, one of the trade-offs in this animation vs live action comparison. Film wins when the case is the people or the place.
Can a software company use 3D animation?
Yes. Enable builds a Rube Goldberg machine for rebate deals, then hands over to its platform. MEDHOST morphs letters into connected hospital buildings. Fujitsu models a city as a digital twin. For more B2B formats, see these 3D corporate video examples.
How long should a 3D business animation be?
22 of the 28 videos on this page run 1 to 2 minutes. The shortest is Bankwest at 0:31. The longest is BD's Venclose film at 5:48, which walks through disease stages and a procedure. Make one case, then stop.
What is the difference between 3D animation and 3D rendering?
3D rendering turns a 3D model into a finished image. Animation strings rendered frames into motion, with a camera path and timing. Stills suit product pages. Animation suits anything that moves, opens or connects.
Does a 3D business animation need on-screen text?
Usually, yes. NanoSight syncs lines like “Quickest, Easiest” with the visuals, and Medtronic labels each feature as it lights up. Text overlays keep the video working on mute, at a trade show booth or in a feed.
Can one 3D animation work in several languages?
Yes, if the words sit on their own layer. Three videos here aren't in English: Bergerat Monnoyeur's is in Romanian, Invacare's in Portuguese and Atlas Copco's in Hungarian. The model and camera moves stay the same. Only the words change.
How do you show ROI in a 3D animation?
Put the number in a chart inside the scene, not only in the voiceover. VoltaChem's bar chart shows reduced investment and increased profit. Eriez uses a comparative recovery graph. A chart can be screenshotted for the budget meeting.
How many features should a 3D business animation show?
As few as the case needs. Atlas Copco's 1-minute film shows one feature: Boost Flow Mode, which restores pressure when demand peaks. Panduit's covers one part. A second case needs a second video.
What should a 3D business animation end on?
The proof of its case. PanMon moves from the scan to a dashboard of wear and predicted lifespan. BD ends on a patient back to well-being, with a prompt to see a vein specialist. Then ask for one next step.
How do you measure whether a 3D business animation works?
Measure the case it makes. A Magnifier video should cut “how does it work?” questions on sales calls. A Piggy Bank video should get passed to finance. Then check watch time and where viewers drop off.
How much does a 3D business animation cost?
It depends on the number of models, surface detail, length and language versions. A model built once can be reused for stills, short cuts and later videos. Ask for a quote once the script and model list are agreed.

Patterns from the analysis

3D Animation in Business Best Practices

These counts come from the written breakdowns of the 28 videos above, one of them (ULA) from its full transcript. Five patterns showed up. Read each count as what these 28 did, not as market data.

Inside Shot

How often do business 3D animations go inside the product?

Observation
Eriez cuts away the HydroFloat. Bergerat Monnoyeur opens the electrolyzer and fuel cell. Bosch peels back the sensor. NanoSight, Aeris, Cubic, AiDot and Atlas Copco show internal parts too.
Data
8 of 28 showed the inside of the product.
The move
If buyers keep asking how it works, give them one inside shot. For software, that's data moving through your architecture.
Named Figure

Should a 3D business animation put a number on screen?

Observation
Panduit shows a 55% bend radius reduction. Boston Scientific shows up to 71% less radiation for primary operators. Cubic cuts voice call data by up to 65%. Würth, ULA, Invacare and AiDot put specs on screen.
Data
7 of 28 put a specific figure on screen.
The move
Show one number a buyer can check. A figure travels into the buyer's slide deck. An adjective doesn't.
Problem Scene

Should a 3D animation show the problem before the product?

Observation
PanMon opens on what visual inspection misses. AiDot opens on indoor air pollution. BD opens on chronic venous disease. Boston Scientific calls radiation a “real threat.” Enable opens on a machine made of deal terms.
Data
5 of 28 showed the problem before the product.
The move
If your buyer doesn't feel the problem yet, give it one scene before the first render of your product.
Stand-In Object

How do 3D animations show a product with no physical shape?

Observation
Enable uses a Rube Goldberg machine. MEDHOST casts staff as superheroes. Ottawa Logistics uses a Rubik's Cube. BenQ opens in a Zen garden.
Data
4 of 28 used a visual metaphor. 3 of those 4 sell software or services.
The move
If your product has no shape, build one object that stands for it. Then hand over to the real interface.
Screen in Scene

Should software appear inside a 3D animation?

Observation
PanMon moves to a dashboard. Atlas Copco lays air demand and pressure gauges over the machine. Ottawa Logistics animates tracking screens. Epson shows Cloud Solution PORT. Fujitsu runs color-coded data flows through its city.
Data
5 of 28 put a software layer inside the 3D scene.
The move
If your software watches or runs something physical, put the interface inside the 3D scene. That's where a SaaS buyer sees their own job.

How to plan

Where to use 3D animation in your business

Put the video where the case gets argued. That one rule decides most placements.

  • Product pages. The Magnifier or Puzzle Piece video, near the specs it explains.
  • Sales follow-ups. The Piggy Bank video, sent to the person who signs the budget.
  • Technical reviews. Pair the 3D film with technical solution overview videos for the architecture questions.
  • Training and support. The same models can drive 3D industrial training videos for the people who run the product.
  • Trade show booths. A muted loop with on-screen text, built around one case.

How do you plan a 3D business animation?

Eight decisions, in order. Each one narrows the next.

  • Case. How it works, what it earns, what it prevents or whether it fits. Pick one.
  • Buyer. The engineer, the CFO, the ops lead or the user. The case changes with the person.
  • Proof shot. The one frame that proves the case. Plan the video around it.
  • Script. Write the last line first. Then the first line. Then the middle.
  • Model list. What must be built in 3D, and what can stay flat.
  • Number. One figure the buyer can check, placed inside the scene.
  • Words. On-screen text, voiceover or both, and how many languages.
  • Next step. Decide the ask before modeling starts, so the video builds to it.

3D or 2D: which does your case need?

Use 3D when the case lives in space: inside a casing, across a building, around a machine. Use 2D when the case is a flow or a chart.

Many films mix both. Boston Scientific's REDEFINE video is mostly 2D motion graphics, with 3D only for the C-arm and the radiation field. That's the right split. The data is flat, and the room isn't.

For software, 2D often carries the interface, and 3D carries the world the software runs in. For flat-first formats, see these animated B2B explainer videos.

3D animation production process

Every 3D project runs through the same three stages. Knowing them keeps a project from drifting.

  • Pre-production. Set the case, the buyer and the proof shot. Then the script, the storyboard, the model list, the budget and the timeline.
  • Production. Build or import the models, add materials and lighting, set the camera paths and animate.
  • Post-production. Render, add on-screen text, voice and sound, get feedback in one round, then cut a version per platform and language.

About the author

About Jai Ghosh

Jai Ghosh
Video Producer at Advids · LinkedIn

Jai Ghosh is a Video Producer at Advids, where he has planned and produced videos for B2B software and technology companies for 7 years. He works on product demos, explainer videos and brand videos, from the first script to the final cut, for clients from startups to enterprises.

Before Advids, Jai spent over 11 years in freelance media consulting, after starting out in digital journalism. He writes the Advids blog's breakdowns of product and demo videos, sorting real examples by the question each one answers for a buyer.

  • Focus: SaaS product demos, explainer videos and brand videos
  • Experience: 7 years at Advids, over 11 years in media consulting
  • Background: digital journalism

Connect with Jai Ghosh on LinkedIn