Video Marketing

Animated Typography Ad Examples: 27 Kinetic Text Videos

Introduction

Every line in a typography ad needs a job

Most typography ads move every word on screen. Letters fly in, spin and bounce out. The viewer watches the motion and forgets the message.

But a buyer reads one line at a time. And when the sound is off, those lines are the whole ad.

So the real question isn't how to animate the text. It's what job each line has to do for your buyer.

The short answer: the animated typography ads that work give the moving text one job. Tension Line puts the buyer's problem in words before the product. Keyword Beat gives each feature its own word on screen. Stat Drop sets one number large enough to read at a glance. Belief Card holds one idea on screen until it sticks. The 27 kinetic text ads below come from tech and B2B brands, sorted by the job their type does.

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27 examples

Animated Typography Ad Video examples

Move 1 · Tension Line

If your buyer doesn't feel the problem, put it in words before the product.

A newspaper sells on the headline, not the story under it. Your buyer decides the same way. If the first line on screen isn't their problem, they scroll.

I call it the Tension Line: the buyer's problem, in words on screen, before the product shows up. Six examples.

6sense Typography marketing video example

6sense sells Revenue AI to B2B revenue teams. The video opens on a buyer lost in self-driven research, buried under irrelevant ads and spam, before any product appears.

What works here:

  • The pain is a picture first. A flood of ads and spam stands for the old way of outreach, and every B2B marketer has sent some of it.
  • Then the signals arrive as check-boxed text: keywords, demo views, peer review activity and repeat visits. Each signal is a word the viewer can read.
  • It maps the whole buying committee, not one contact, and closes on an upward chart for revenue performance.

The move: Open on the noise your buyer's own buyers ignore. If your first 5 seconds could belong to any vendor, rewrite them in your buyer's words.

Planet Typography ad video idea

Planet sells payment software to hotels. The 44-second ad opens on the promise in its title: wave goodbye to tricky checkouts.

What works here:

  • The problem gets 2 words, “tricky checkouts.” Then guests leave at their leisure by car or plane, with payment taken from the card on file.
  • Digital receipts carry an offer, “20% OFF YOUR NEXT STAY,” so the payment step becomes a loyalty tool.
  • Black and white with red accents keeps every word readable. Hearts fill the phone screen to show the return visit.

The move: Name your buyer's problem in 2 or 3 words, then show it go away. If the problem needs a full sentence, it isn't sharp enough yet.

Trovata Kinetic typography video

Trovata sells a generative AI assistant to finance and treasury teams. It opens with a barrage of the questions those teams get asked.

What works here:

  • The questions are the hook. Each one lands on screen as text, and each gets a chart in reply: cash outflows, burn rates, transaction tables.
  • The AI is cast as an “army of analysts” that takes on the tedious work.
  • The privacy fear gets its own line, “no third-party access allowed,” backed by a patent-pending approach that keeps data private.

The move: Put your buyer's 3 most-asked questions on screen, word for word. Then answer each one with the product, not the voiceover.

QuantLayer XDR kinetic typography ad

QuantLayer sells passwordless security for industrial networks. Its kinetic typography ad, set on dark abstract 3D, opens on a risk every plant has: “Every device in the industrial network has a password.”

What works here:

  • The problem is a chain. Passwords get stolen, certificates expire, and one compromised asset can put the whole operation at risk.
  • The fix is a list of what's gone: “No passwords, no shared secrets, no static secrets.”
  • One contrast carries the idea. Trust is “continuously verified, not granted once and assumed forever.”

The move: Write your fix as what disappears from your buyer's day. If the line needs your product name to make sense, cut it shorter.

NiCE CXone Mpower kinetic typography ad

NiCE sells CXone Mpower, an AI platform for customer service. The ad pairs kinetic typography with UI mockups and opens on one claim: customer service is the heart of the business.

What works here:

  • The turn comes fast: “But here's the catch. Most solutions are stuck in the past. Until now.”
  • Features arrive as short lines: workflows across the business, AI copilots for every role, real-time insights and smart self-service.
  • It closes on three pairs: “from manual to automated, from reactive to proactive, from generic to purpose-built.”

The move: End on your before-and-after as word pairs. If your buyer can't repeat one pair after one watch, use fewer pairs.

OpenText Animated Typography Ad Video idea

OpenText sells Managed Extended Detection and Response, or MXDR. The ad opens on ransomware as a threat that keeps changing, then brings in the fix.

What works here:

  • A radar scan shows the threat reaching past endpoints, across campus, cloud and mobile.
  • The response is a five-step incident lifecycle, from uncovering the threat to digital forensic investigation.
  • Two proofs back it: 30 years of OpenText expertise and 24/7/365 monitoring. A TTP-driven method is set against older Indicators of Compromise.

The move: If your fix is a process, count the steps on screen. A numbered step is easier to trust than a paragraph.

Move 2 · Keyword Beat

If your product does many things, give each one its own word on screen.

Once the problem lands, the next question is simple. What does it actually do?

A departures board shows one city per line, and nobody reads it twice. Your feature list works the same way when each feature gets its own line. I call it the Keyword Beat: one feature, one short phrase, one beat on screen. Nine examples.

HRS Typography intro video

HRS sells travel, workspace and payment tools to companies. Its mission video uses kinetic typography to argue that business travel can be safer and smarter.

What works here:

  • Each service gets its own word. Booking hotels, finding workspaces and managing payments are split into short text beats.
  • HRS's signature cyan marks the keywords, so the eye knows which word matters.
  • Rapid cuts and a high-contrast palette carry the change, closing on a picture of being “one step ahead.”

The move: Give each part of your product one keyword and one brand color. If two features share a word, the viewer will merge them.

ARC Typography promo video

ARC announces a UI overhaul of its Protocol Web App for Web3 users. Every update is introduced by a line of animated text, then shown in the interface.

What works here:

  • Text first, screen second. “Light/Dark Modes” and “Improved Chat” appear as words, then turn into the feature.
  • Instant swaps and detailed portfolio views show the redesign in use.
  • Desktop and mobile both appear, so the update reads as one product across devices.

The move: Name each update in 2 or 3 words before you show it. The word tells the viewer what to look for on screen.

Zoho Payroll kinetic typography ad

Zoho Payroll is payroll software for US businesses. The 30-second ad uses kinetic typography and vector illustrations to run through the whole job, for all 50 states.

What works here:

  • Every task is a short command: send paychecks on time, pay your taxes, file your tax returns, distribute W2s.
  • Nine jobs fit into 30 seconds because each one is only a few words long.
  • The close promises one result, “finish your payroll in minutes,” then asks for a free trial.

The move: List your product's jobs as verbs your buyer already uses. If a line needs a second sentence, it belongs in the demo, not the ad.

GoDaddy Airo Typography promo video example

GoDaddy Airo uses AI to help people launch a business. The 40-second video moves from an idea to a domain, a logo and social posts.

What works here:

  • Each asset appears as it's made: domain suggestions, logo designs and social media posts.
  • Clear text prompts and drag-and-drop show the steps without a manual.
  • Branding and marketing tools sit in one place, so the viewer sees the whole launch, not one tool.

The move: Show each output your product makes, in the order your buyer needs it. Stop when they could launch.

CyberArk Animated Typography Ad Video example

CyberArk shows how Endpoint Privilege Manager works with ServiceNow. 2D motion graphics and icons explain one workflow: asking for admin rights.

What works here:

  • Least privilege becomes a simple loop. A user requests admin rights for one task, gets them, then drops back to standard access.
  • The ServiceNow integration lets IT approve requests without switching platforms, which cuts help desk load.
  • Just-in-time policies are created in ServiceNow, with an audit trail of the full request.

The move: If you integrate with a tool your buyer already runs, name it in the first line of text. That name is the reason to keep watching.

Juniper Networks Typography explainer video idea

Juniper Networks pitches AI-Native Networking to service providers in 31 seconds. Fragmented images come together into one display while the type carries the message.

What works here:

  • One line sets the idea: “Make connection count.”
  • High-contrast text reveals name each benefit, such as “self-optimizing automation.”
  • Sustainable networking and exceptional experiences close the list.

The move: In a 30-second ad, give each benefit its own screen. One phrase, one reveal, then the next.

Dust and Google Cloud kinetic typography ad

Dust builds AI agents that run on company knowledge, with Google Cloud. The ad uses animated UI cards and kinetic typography to walk through one team at a time.

What works here:

  • Sales comes first. Leads are pre-researched, account histories are summarized, and agents update the CRM and draft follow-up emails.
  • Support gets auto-routed requests and pre-written answers. Engineers hand off debugging, incident response, code reviews and documentation.
  • A Chrome extension and Google product integrations answer the fit question. The close is 3 words: “Just use Dust.”

The move: If your product serves several teams, give each team its own card and its own verbs. Your buyer will look for their team's card.

NordVPN Typography explainer video example

NordVPN's explainer answers one search question: proxy or VPN? Animated typography and flow diagrams split the two, step by step.

What works here:

  • A proxy routes one application. A VPN encrypts traffic at the operating system level. The diagrams make the difference visible.
  • The trade-off is honest. Proxies can be faster for traffic-heavy gaming because they skip encryption.
  • The case for NordVPN rests on named features: encryption before data reaches the server, Threat Protection, and a no-log policy verified by audits.

The move: If buyers compare you with a cheaper option, name it on screen and say where it wins. Then say where you win.

Orchid kinetic typography lesson by Coinbase Earn

This Coinbase Earn lesson explains how Orchid, a blockchain-based VPN, keeps data private. Coinbase published it, and it teaches Orchid in 3 ideas.

What works here:

  • Payments: users pay for bandwidth with the OXT token, so no card number, home address or email goes to providers.
  • Multi-hop: animated data paths pass through several providers with layered encryption, so no single provider links a user to what they access.
  • Staking: providers stake OXT to take part, which rewards reliable service.

The move: If your product rests on a hard idea, break it into 3 named parts. One word on screen per part.

Move 3 · Stat Drop

If your claim needs proof, set one number large enough to read at a glance.

Words say what it does. They don't prove it works.

A speed limit sign holds one number and nothing else, and every driver reads it at speed. Your proof needs the same treatment. I call it the Stat Drop: one number, set large, alone on screen long enough to read. Seven examples.

Intetics Typography intro video example

Intetics is a software development company. Its 50-second intro turns glowing code into a two-tone star, then puts its track record into numbers.

What works here:

  • The numbers carry the pitch: over 900 experts, and projects delivered in 38 countries across 6 continents.
  • A five-star motif repeats across each service: Custom Software Development, Remote In-Sourcing, TETRA and All-Things-Digital.
  • Narration stays in sync with the visuals, so each number lands with its image.

The move: Pick the 2 numbers that prove your scale and give each one its own moment. More numbers on screen means fewer remembered.

ABB Framia Typography explainer video

ABB's Framia is a range of frameless switches and sockets for offices, homes and hotels. 3D renders and animated typography sell one detail: the slim profile.

What works here:

  • One number does the design pitch: a 7.8mm frameless profile, shown in an exploded view of the parts.
  • Hotel features get their own scenes: key card power, a “Do Not Disturb” signal and USB charging.
  • Offices and residential-style rooms both appear, which speaks to architects and designers who specify for both.

The move: If your buyer compares specs, put your one winning spec on screen in large type. Show it, then say it.

Gemalto Animated Typography Ad Video

Gemalto explains what 5G makes possible and why it needs security. 2D motion graphics and typography move from self-driving cars to smart homes.

What works here:

  • One comparison makes latency concrete: a self-driving car could react within 3 centimeters of forward movement at high speed.
  • 5G is framed as a “network on demand” that adapts speed, latency and energy use to each job.
  • The close is a “chain of trust” through the cloud-native network, with encryption and user authentication at each link.

The move: Turn your hardest spec into a distance, a time or a count your buyer can picture. “3 centimeters” beats “ultra-low latency.”

SOFTSWISS Kinetic typography video example

SOFTSWISS sells a turnkey casino platform and a crypto casino solution to iGaming operators. 3D blocks rebuild themselves to reveal the back office.

What works here:

  • The claim is one rank: “No. 1 Crypto provider in iGaming.”
  • Modular blocks open on player segmentation, KYC and anti-fraud, one feature per move.
  • A “one-stop shop” line ties the platform and services into one offer.

The move: If you hold a rank, put it on screen as one short line. Then show the 3 features that earned it.

Superfluid Typography marketing video idea

Superfluid is a protocol for money that streams in real time. Abstract motion graphics and animated typography contrast it with static payments.

What works here:

  • Money is shown “frictionlessly flowing” across a digital globe: a stream instead of a transfer.
  • The use cases are named for Web3 developers: crypto-native payroll, subscriptions and vesting.
  • Two proofs follow: a 600+ application ecosystem, and money that moves without recurring transactions or gas fees.

The move: Put your ecosystem count on screen next to the use cases. A number of apps means more when the viewer knows what they do.

Origin Protocol Typography marketing video sample

Origin Protocol introduces Origin Ether, or OETH, a liquid staking yield aggregator. Dynamic typography and data visuals build the case in 54 seconds.

What works here:

  • The headline number is a ratio: more than “2X” the yield of stETH.
  • The steps are short: deposit supported LSTs, mint OETH, earn yield, with no lockups.
  • Origin's history backs the claim, including the invention of yield-bearing stablecoins.

The move: Compare your number with one your buyer already knows. “2X” means nothing until it's 2X of something.

Databricks Rivian typography video

Databricks lets its customer Rivian tell the story. 2D motion graphics, styled product photos and geometric typography follow Rivian from siloed data to one platform.

What works here:

  • The problem comes in Rivian's words: a fast-growing company where each organization built its own data stack.
  • Adoption is the proof. Rivian started with 5 users on Databricks and now has over 5,000, who average nearly 5 hours a day on the platform.
  • The payoff reaches the driver: software updates that make charging faster and help the battery hold its charge longer.

The move: Let a customer give your adoption number. Users and hours per day prove more than a feature list.

Move 4 · Belief Card

If you sell a new idea, put the belief in one line and hold it on screen.

Some products have to sell an idea before they sell a feature. Then the type has to carry a belief.

A protest sign carries one line, held up long enough for a crowd to read it. Your category's big claim needs the same. I call it the Belief Card: one line that states what you believe, held on screen. It's the move strong tech branding videos make too. Five examples.

Aqua Security Short typography video

Aqua Security sells cloud native security, and the title states the idea: “Security Means Freedom.” There's no narration. Pixel-style type does all the talking.

What works here:

  • The type lives inside the 3D world, on neon tunnels and moving digital paths, so the message moves with the scene.
  • Lines like “Software development & delivery accelerate” set the pace before security enters.
  • Then the flip. Security stops being a bottleneck and becomes the freedom to transform, accelerate, run anywhere and scale.

The move: Write the belief your category gets wrong as one line, then flip it. If it needs a voiceover to land, it isn't one line yet.

AntShares Typography marketing video

AntShares explains what it is and why blockchain matters. Abstract motion graphics and on-screen typography carry one belief: blockchain can be a trust machine.

What works here:

  • It borrows the line “A Trust Machine” from The Economist, and calls blockchain a “wormhole to the future.”
  • Physical assets flow into the AntShares logo and become digital value for peer-to-peer exchange, with equity crowdfunding and supply-chain financing as uses.
  • An ant colony metaphor turns the network into shared work.

The move: If a respected outside source already named your idea, put their words on screen with their name. Borrowed trust reads faster than your own claim.

Seeds Kinetic typography video idea

SEEDS presents a new currency and ecosystem built to reward actions that heal the planet. 2D motion graphics and kinetic typography make the case through contrast.

What works here:

  • Grey cityscapes and exploitative financial charts stand for the old system. Green communities stand for the new one.
  • Gold coins morph into green Seeds currency. One transformation explains the whole idea.
  • The close shows Seeds coins moving through a thriving community, so viewers see where they fit.

The move: Pick one object from the old way and morph it into yours on screen. The change is the pitch.

Greenlux Typography intro video sample

Greenlux Lighting Solutions announces its merger with Valoya. Minimal 3D scenes and animated typography carry one belief, the one in the title: “Stronger together.”

What works here:

  • Each side gets its own story: Greenlux in energy-efficient general lighting, Valoya in LED grow lights for horticulture.
  • Timeline markers and 3D dioramas chart what each brand brings.
  • Synced text spells out the gain: shared knowledge, streamlined operations, a better supply chain and faster product development.

The move: If you announce a merger or a partnership, say what the customer gets in one line. Then prove each part of it.

Talentium Typography ad video

Talentium's 19-second teaser introduces TED, its AI assistant for recruiting. Glowing text and a star-to-logo change carry one claim: the future of hiring is automated.

What works here:

  • Precise, sequential text reveals keep it to one idea per screen.
  • A dark, uncluttered background with white and blue type keeps attention on the words.
  • There's no feature list. The teaser states a belief and leaves the demo for later.

The move: In a teaser, state one belief and stop. If it can't fit into 19 seconds of type, it isn't one belief yet.

Pick your move

Which job does your typography ad need?

The short answer: ask one question. What does your viewer still lack: the problem, the features, the proof or the idea? The answer picks the job for your type. One job per ad. If two are missing, cut two short ads instead of one long one.

If your buyerUseDo thisExample to copy
doesn't feel the problemTension LineTheir problem in words, before the productQuantLayer
doesn't know what it doesKeyword BeatOne feature per word on screenZoho Payroll
doubts it worksStat DropOne number, large and aloneGemalto
hasn't heard the ideaBelief CardOne line of belief, held on screenAqua Security

Now go back to the letters that fly in, spin and bounce out. Motion gets the eye. Only the job of the line keeps it.

The move: write every on-screen line of your next ad on one sheet. Next to each, write its job: problem, feature, number or belief. Cut every line without one.

Moving text gets watched. Text with a job gets read.

FAQ

Animated Typography Ad Examples FAQ

What is an animated typography ad?
An animated typography ad is a video ad where moving text carries the message. Words appear, move and change in time with music or a voiceover, often with little else on screen. Kinetic typography is the common name for the technique. The best ones give each line one job: a problem, a feature, a number or a belief.
What's the difference between kinetic typography and motion graphics?
Kinetic typography is a kind of motion graphics where the words are the main visual. Motion graphics can also animate icons, charts, shapes and UI. Most ads on this page mix both. Dust pairs kinetic type with UI cards, and Gemalto pairs it with infographics. For more mixed styles, see these motion graphics advertisement examples.
How long should an animated typography ad be?
Short enough that every line has a job. On this page, Talentium runs 19 seconds, Zoho Payroll 30 and Juniper 31. Explainers run longer: NordVPN's proxy-versus-VPN video is 3:11. For a feed ad, start at 30 seconds and add only lines that earn their place.
Should a typography ad use a voiceover?
It depends on where it plays. Aqua Security uses no narration, so the type carries everything and the ad works on mute. Zoho Payroll and QuantLayer pair a voiceover with the text, which suits YouTube and product pages. If you use both, make the on-screen words a shorter version of the spoken line, not a copy.
Do animated typography ads work with the sound off?
They're built for it. When the text carries the message, a muted viewer still gets it. Write the ad as if nobody hears it, then watch it on mute. If a line only makes sense with the voiceover, rewrite the on-screen text until it stands alone.
When should I choose a typography ad over a product demo?
Choose typography when the message is an idea, a number or a list of jobs. Choose a demo when the buyer doubts the product is easy to use. Many ads do both. ARC introduces each update as text, then shows it working in the interface.
Can a typography ad explain a technical product?
Yes, if each idea gets its own word. The Orchid lesson splits private browsing into payments, multi-hop and staking. OpenText counts a five-step incident lifecycle. Diagrams carry the mechanism and the type names each part, the way most technology explainer videos work.
How much text should be on screen at once?
One idea per screen. A short phrase is easier to read in motion than a full sentence. Juniper gives each benefit its own reveal, and Talentium uses one line at a time. If a screen needs two ideas, split it into two screens.
How do you end an animated typography ad?
With one line and one ask. Zoho Payroll closes on “finish your payroll in minutes,” then offers a free trial. Dust ends on “Just use Dust.” Hold the last line long enough to read twice, then show the logo and the next step.
How do you keep a typography ad on brand?
Use the brand's own fonts and colors, and give one color a job. HRS marks every keyword in its signature cyan. Planet uses black and white with red accents. Then keep the same type style in every cut, so the ad looks like the product it sells.
Which numbers belong in a typography ad?
Numbers your buyer can check and picture. Intetics shows over 900 experts and 38 countries. Origin Protocol compares its yield with stETH. Databricks lets Rivian say it grew from 5 users to over 5,000. Give each number its own screen, and never more than 2 in a row.
Can you use animated typography in a teaser?
Yes. Typography suits teasers because it can state a belief without showing the product. Talentium's 19-second teaser for TED does exactly that. Save the feature list for the launch, the way most product teaser videos hold back the full demo.
How do you measure an animated typography ad?
Pick one goal first: views, clicks or sign-ups. Then check where viewers drop off. A drop at one line usually means that line is too long, too fast or has no job. Test two versions of the opening line on the same audience and keep the winner.

Patterns from the analysis

Animated Typography Ad Best Practices

Five of the ads above were broken down from their full transcripts: QuantLayer, NiCE, Zoho Payroll, Databricks, and Dust with Google Cloud. Five patterns showed up. Five is a small sample, so read each count as what these five did, not as market data.

Problem Open

Should a typography ad open on the problem or the product?

Observation
QuantLayer opens on passwords in the industrial network. NiCE turns on “Most solutions are stuck in the past.” Databricks lets Rivian describe siloed data stacks. Zoho Payroll and Dust open on the product instead.
Data
3 of 5 named a problem before the fix. 2 of 5 opened on the product.
The move
If your buyer doesn't feel the problem yet, make it your first line of type. If they already do, open on the product.
Short Commands

How should a typography ad list features?

Observation
Zoho Payroll lists 9 payroll jobs as short commands. Dust gives sales, support and engineering their own tasks. NiCE lists workflows, copilots, insights and self-service in quick lines. QuantLayer and Databricks tell one story instead.
Data
3 of 5 broke the product into short task lines.
The move
Write each feature as a verb your buyer uses. Short commands fit moving type. Long sentences don't.
Contrast Pair

Does a before-and-after line help a typography ad?

Observation
NiCE closes on “from manual to automated, from reactive to proactive, from generic to purpose-built.” QuantLayer says trust is “continuously verified, not granted once and assumed forever.” Databricks sets a vague alert light against a precise answer. Zoho Payroll and Dust use no contrast line.
Data
3 of 5 used a before-and-after line.
The move
Write one before-and-after pair for your product. Put the old way first, so the new way lands.
One Figure

Should a typography ad include a number?

Observation
Zoho Payroll covers all 50 states. Databricks gives 5 users growing to over 5,000, at nearly 5 hours a day. QuantLayer and NiCE give no figure. Dust promises agents built “in seconds” but names no count.
Data
2 of 5 gave a specific number.
The move
Find one number your buyer can check, and give it a screen of its own.
Direct Ask

How should a typography ad end?

Observation
Zoho Payroll ends on “Start your free trial.” Dust ends on “Visit Dust.tt today.” NiCE, QuantLayer and Databricks close on a brand line instead, with no ask.
Data
2 of 5 ended with a direct ask.
The move
End on one ask. A brand line can sit above it, but it can't replace it.

How to plan

Where to use an animated typography ad

Put typography where the sound is off or the attention is short. That one rule decides most placements.

  • Social feeds. Many people scroll with the sound off, so the type is the ad. The same cut rules apply to social media advertising videos in general.
  • Product launches and updates. One keyword per new feature, the way ARC does it. Strong SaaS promo videos often use this format.
  • Event screens and booths. No audio, a passing crowd, one line at a time.
  • Paid video ads. Short software advertising videos where one problem line or one number has to stop the scroll.

How to keep moving text readable

Moving text fails in one way: the viewer can't read it before it leaves. Four checks fix most of it.

  • Contrast. Light type on dark, or dark on light, never type over a busy picture. These notes on text over images cover the fixes.
  • Hold. Let each line sit still long enough to read once out loud. Move it after it's read, not while.
  • Size. Check every frame on a phone. If you squint, so will your buyer.
  • Direction. Bring words in the way people read, left to right and top to bottom. Surprise belongs in the idea, not the reading order.

Choosing fonts for a typography ad

In a typography ad, the font is the main character. It sets the tone before a single word is read.

Start with the brand's own type, the way typography in brand guides defines it. Then pick at most two faces: one for the big lines and one for the small print. This guide to choosing the right typeface covers pairing.

  • Bold, simple shapes for the lines that move fast.
  • A plainer face for labels, numbers and the call to action.
  • One accent color with a job, like HRS's cyan on keywords.

Pacing a kinetic typography ad

Pace decides whether the type gets read. Too fast, and nobody reads. Too slow, and nobody stays.

Cut the type to the music's beat or the voiceover's stress. Then vary the speed on purpose: quick beats for lists, a long hold for the one line that matters.

  • Lists move fast. Zoho Payroll fits 9 jobs into 30 seconds.
  • Problems land slower. Give the Tension Line a beat of silence.
  • Numbers and beliefs hold longest. They're the lines you want remembered.

About the author

About Jai Ghosh

Jai Ghosh
Video Producer at Advids · LinkedIn

Jai Ghosh is a Video Producer at Advids, where he has planned and produced videos for B2B software and technology companies for 7 years. He works on product demos, explainer videos and brand videos, from the first script to the final cut, for clients from startups to enterprises.

Before Advids, Jai spent over 11 years in freelance media consulting, after starting out in digital journalism. He writes the Advids blog's breakdowns of product and demo videos, sorting real examples by the question each one answers for a buyer.

  • Focus: SaaS product demos, explainer videos and brand videos
  • Experience: 7 years at Advids, over 11 years in media consulting
  • Background: digital journalism

Connect with Jai Ghosh on LinkedIn